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Lights and electronics
Index
- About Lighting
Articles - lighting technology and measurements
- A History of
Light and Lighting
- Dichroic Filters
FAQ - multi-layer thin-film coatings deposited on a glass substrate used
for light filtering
- Don Klipstein's lighting
articles - bulbs, fluorescent, gas discharge lamps, LEDs, xenon flash
- Electrocal
technical data for low voltage halogen lights
- Frequently asked
questions about lighting measurements
- How Light Works
- inter.Light - internet source
for lighting specifiers, lighting manufacturers by product categories
- Lighting FAQ
- what does candela, lumen, inderse square law, cosine law and beam angle
mean
- Lighting
Fundamentals - lighting upgrade manual from US EPA Office of Air and
Radiation
- Lighting
Fundamentals - lighting upgrade manual
- Lighting up the
web - article about good lighting sites on the net
- Light Measurement
Handbook
- Light Pollution Awareness
Website
- Publications by
Radiant Imaging Personnel - information on lighting measurements
- Show
your 'true colours' - Seeing the objects lit as the wrong colour is one
of the most unsettling effects of bad lighting, and one of the easiest to
overcome. Newer, high quality lamps show the 'true colour' of things far
more accurately and offer excellent lighting design and upgrade
opportunities for people in the lighting business.
- The Lighting
Library - index of lighting related reference documents that you can
read online
- The Lighting
Resource Articles - wide variety of lighting articles
- Tietoa valaistuksesta
- information on lighting in Finnish
- Valaisinten
kotelointiluokat ja käyttäpaikat - information on lighting equipment
environmental protection classes in Finnish
- Valaistustekniikka
- lighting technology information in Finnish
- Voltage and
Lamp Flicker Issues: Should the IEEE Adopt the IEC Approach?
- World Lighting
Links - categorized index of useful lighting sites on the Internet
- http://www.on-light.de/ - site
about light, lamps and lighting architecture, text in German
- Light Pollution
Information - Light can pollute the outdoor environment and wash away
the view of stars in the sky. This curable problem and can be prevented
through the application of well designed and applied outdoor lighting.
- The Dark Side
of Light - Although light pollution’s impact on stargazing is as clear
as day, its effects on other environmental elements are just coming into
focus. The evidence shows that artificial lighting has dire consequences for
animal behavior, particularly on the ability to navigate at night.
The majority of all indoor and outdoor lighting in the home today is
provided by incandescent lamps, commonly referred to as conventional "light
bulbs". The light bulb is the most widely used lamp in residential and many
commercial and industrial lighting applications for general lighting. Halogen
lamps are a type of incandescent lamp that gives "whiter" light, lasts longer,
is usually small, is slightly more efficient than normal bulb and costs more.
Halogen lamps are best suited for lighting areas where a direct focus of light
is required.
Linear Fluorescent Tubes are the most common source of lighting in
commercial facilities and can be found in many homes. Compact Fluorescent
Lamps (CFL's) are of the same technology as linear tubes, but much smaller.
CFLs operate with a ballast and a screw base adapter to accommodate their use
in many indoor and outdoor applications.
Low-voltage halogen lamps are becoming more popular for lighting stores,
buildings, hotels, and houses. The lamps come in different configurations and
wattages (typically up to 50W). Typical voltages are 6, 12, and 24V, supplied
by safety isolating transformers that are usually connected on their primary
side directly to the mains power line (110 VRMS or 220 VRMS). Most typical
voltage used for low voltage halogen lighting is 12V. Most of the time the
safety isolating transformer feeding the lighting circuit is located in the
ceiling of the room near the lights itself.
In film and video lighting a constant light levels ie constant exposures on
the face are very important. A soft light on the face is important. Too high
contrasts in the lighting are should be avoided. In TV the angle of the Key
light is critical: It must light the eyes well. Most light used in TV studios
are fresnels and scoops.
- 10 most
important things to know about lights - information on video lighting
- Basic
Technologues of Lighting for Video - In order to produce a high-quality
result, lighting designers must have an understanding of video lighting
techniques to meet the challenges of this technology. This article will
cover a full range of techniques for video lighting design, from the simple
parish with one camcorder, to broadcast-quality design.
- Chroma
Key Lighting - popular cure-all seems to be the proper lighting of your
chroma-key blue wall
- Creating a
Low Cost Fluorescent Lighting System - right kind of fluorescent light
system can be used in video studio
- Filter Facts -
information on filtered light for film and video
- How-to info &
books for videographers - articles on camcoders, lenses, lighting,
batteries, tripods, audio, video and studio design
- Lighting
Considerations for A/V or Video Teleconferencing Rooms
- Society of Television Lighting
Directors - lighting tips, DMX512, lighting info
- Solving
Mercury Vapor Lighting Problems - shooting under mercury vapor lights
can play havoc with your camcorders color balance
- The f-stop and studio
lighting - how to have ability to raise or lower the level of any light
without objectionably changing the color temperature of the light
Lighting provides a tool for setting moods and tones of scenes on stage.
There are many different types of lighting instruments used in theatre. Each
type of instrument plays an important role in the overall lighting scheme.
Stage lighting is achieved by the use of a large number of powerful stage
lights, or lanterns (or luminaires). There are a great variety of these, for
different applications, or of different make or vintage. The most common light
types used in theatres are plane convex lights, freshnels, profiles, which are
the generic classes of spotlights. In addition to this floods are used for
various applications. Also used are PAR cans , but these offer little control
and are used more in rock lighting than in theatre. Most luminaires use at
least one lens, which is a piece of glass with one or both sides curved for
concentrating or dispersing the light beam; this produces a variation in the
beam angle and the quality of the light produced. Some luminaires utilise an
attachment on the front of the unit called a barndoor. This consists of four
movable metal flaps which are used to control the spill of light produced. The
lamp which generates the light inside light instrument is a glass (or quartz)
envelope which contains a filament or electrodes surrounded by a gas. The most
common lamp types are tungsten, tungsten halogen, HMI (Hydrargyrum Medium
arc-length Iodide), CID (Compact Iodide Daylight) and SCI (Compact Source
Iodide).
Lanterns are hung (or rigged) in lighting positions and are focused (or
angled) onto the stage (or anything else). If coloured or tinted light is
required, as is usually the case, sheets of gel (or colour) held in special
gel frames are placed in front of the lanterns. The lanterns are then tailed
and plugged up to dimmer outlets via a patch board. Various types of cabling
and connectors are used to connect lighting instruments to dimmers. Often
times, permanent theatre installations will have special outlet strips along
the lighting battens to connect the instruments. In less permanent
installations movable breakouts are used. Breakouts connect normal single
light connectors to a multi-conductor cable usually terminated with a Socapex
connector. Using multi-conductor cables the amount of separate wires coming
from dimmers to lights can be reduced (=easier to manage).
The key to lighting control lies in the dimmer. Light dimmer allows the
conlling of the light output (the light intensity) of different lighting
instruments. Those dimers used to be resistances, autotransformers, saturable
reactors and other specialist components. Nowadays light dimmers use phase
control principle and use electronics switching components like thyristors,
triacs, GTOs and FETs. Thyristors and triacs being the most commonly used
components for dimmers in use nowadays.
The light dimmers are most often controlled remotely using light control
desk which communicates with the dimmers through control cable, which can
carry the control information in either analogue format (usully 0-10V DC) or
digital format (most often usign DMX-512 protocol). The simplest lighting
board one is likely to find today allows the operator to set up two scenes and
cross-fade between them. These are commonly referred to as X-Y boards. An X-Y
board has a number of channels associated with it, where each channel can
control one or more dimmer channels. For example, twelve channels may be
controlled with a small board. Levels can be set for each of these individual
channels on two scenes and a -fader allows switching between scenes. Advanced
lighting boards usually provide all of the same features as an X-Y board, but
add the ability to store scenes, record a sequence of scenes in a cue stack,
and record light chases.
In addition to the normal lights controlled by light dimmers, there are a
huge variety of units that fall within the general category of 'intelligent'.
The most well-known type is probably that of moving lights, where the
luminaire is able to control the position of the light beam, together with
other aspects of the light quality. Moving lights can be considered as Moving
Mirror or Moving Head units. Moving head devices physically point the whole
light in different directions by using a motorised yoke. Moving mirror type
units (used mostly in nightclubs and rock shows) are best suited for
prolonged, fast moving lighting effects. Moving lights are generally
controlled using digital DMX-512 interface.
In addition to those there are also color scrollers and disco effects. Use
of a colour scroller system within a theatrical lighting rig can greatly
increase its potential. Instead of fitting one colour filter per luminaire,
the scroller allows a row of colours to be stored and wound to the chosen
colour. Disco effect are type of intelligent fitting that can be used to
create the effects seen in nightclubs and at parties. There is a wide range of
equipment available in this category, from simple strobes to multi-colour,
multi-beam units. Most disco light effects are either controlled through
DMX-512 interface or move automatically semi-randomly based on sound around
them (some have built-in microphone or soudn input connector for this).
The stage lighting is uusally handled by light designer and master
electrician. The responsibilities of the Master Electrician (M.E.) are to
hang, patch and focus the lights as per the lighting plot provided by the
lighting designer (L.D.). Often times the M.E. or L.D. will also operate the
lighting console for the production.
General
- ABTT Discussions
- discussion forums on stage technology
- ADC
Theatre Lexicon
- DMX512.com, the Entertainment
Technology Website
- Entertainment Technology Online!
- community web site for lighting people
- How to: Tech -
This is a collection of documents on electrics, fire effect, painting,
rigging, water on stage, workign drawing, sewing, sound and effects
- Light Board
Basics - Basic console knowledge is always useful. It can help you
choose a console, get started on operating your existing board while
you're seeking information about its more advanced functions.
- Lighting
Design
- Lighting
Guide - DMX and patching
- Lighting
Instrument Trouble Shooting Procedure - Carry out this procedure
before the focusing session with the lighting designer.
- Managing
a Major Production - The most important part of managing a major
production is to have a plan and to start the planning process early. Six
months in advance of the production date is not too early.
- Moving Lights.com - The
Moving Light Resource by Ross Williams is designed to provide detailed and
accurate information about Moving Lights and Controllers. Every fixture
you can think of (and quite a few you can't!) is covered in detail in the
reference section on the site, along with moving light consoles and a
comprehensive list of links to manufacturers, dealers, and other related
sites.
- Remote
Control of Lighting: An Overview - article from Lighting for
Entertainment 1963-64
- Stage
Lighting - Today, there are dozens of choices a gigging musician can
make about light fixtures. This article tells the basics. This article has
some nice pictures also.
- Stage Lighting
Basics
- Stage
Lighting Design
- Stage
Lighing Introduction
- Stage
Lighting Technical Tips
- Theatrical
Lighting Basics - This set of web pages has information on color,
lighting control systems, communication systems, electricity, special
effects and sound.
- The
Search For the Perfect Lighting Control Console - What features and
architecture would combine ultimate flexibility, ease of use and full
moving light capabilities all in one desk? Most people would agree that
the "perfect console" does not currently exist, but there are lots of good
consoles out there.
- The story of an
"Industry Standard" - First there was the aluminum Par 64 Lantern and
then came other popular lights, article with good drawings
- The Strand Archive -
journey through the history of Strand Stage Lighting, also at http://www.strandarchive.co.uk/
- TLS Technical
Library - many usefu lighting documents
- WPI
Technical Theatre Handbook: Lighting - Stage lighting is often
surrounded by a thick and impenetrable veil of mystery, which is due,
undoubtedly, to lack of knowledge of both the limits and potentialities of
the problem.
Glossaries
FAQs
Handbooks and training manuals
Organizations
Safety
Building a workign stage lighting system involves lots of cabling to feed
the power from the power source to the lighting instruments. Different
theatres provide different means for connecting equipment to be powered.
Some simply provide a large number of standard mains connectors you are used
at your home and some provide high-current hookups. Many venues provide some
sort of combination of high-current and low-current hookups. Often some
medium-capacity feeds are also available.
Any venue that has been properly wired by a qualified electrician will
have a circuit breaker panel that are used to shut circuits off in the event
that they draw too much current. It is the current capacity of circuit
breaker (in amperes) that determines how much current a circuit can supply.
The breaker size is chosen relative to the type of cabling and connector
used for the circuit, as each have different capacities.
Stage lighting very often uses three phase power which is wired to the
dimmer rack, which distributed the power to different lights. There used to
be some specific recommendations on some countries specific to this kind of
systems. The requirement/recommendation for phase separation is no longer in
the IEE regulations (currently 16th edition). There is no requirement in the
16th Edition (or the 15th) to keep sockets on different phases seperate.
There is a specific requirement to label 415V potential anywhere where you
may not expect to find it. Once upon a time (13th edition of IEE
regulations) it used to be a requirement to keep connector connected to
different phases on physically separated places (two meters apart..). Many
people still think it is. However it hasn't been for the last two editions
of the regulations.
Stage wiring can use the normal household plugs for lights or some other
mains plig types (this depends on regualtions and environment used). The
following plugs can be seen often in stage lighting systems:
- Cam-Loc type connector: Cam-Loc is a single conductor mating
connection of large brass contacts in a rubber boot that is pretty damp
proof. Cam-Lock is standard for feeder-type cable used widely in USA.
There are few different sizes that are used to serve everything from a 30
Amp HMI fresnel on a movie set to 600 amps of three phase distro for a
whole rock and roll lighting rig.
- Twist-lock: looks much like a household connector used in USA, but
bigger, and the 3 pins are all slightly curved. the Ground pin is bent 90
degrees, so when you mate them and twist, they can't be pulled apart. This
connector is mainly used for USA for currents up to 20A. Twist-Loc is
standard in Canadian theatres. The available type of Twist-Loc connectors
goes up to 50A 250V.
- Stage pin: This is a rectangular connector with 3 cylindrical pins in
a row. The ground and neutral are closer together, so they cannot be
plugged in backwards. Stage pin plugs come in various sizes for different
amperages. In general, the friction between the pins and the sockets is
enough to keep them securely seated, and the male pins have a slot where
one can insert a knife blade (or pin splitter) to spread the 2 halves and
increase the friction. This connector is mainly used in USA.
- CeeForm: CeeForm (CEE 17 7 IEC 309) is the European standard for
highish-current connectors, available in 16, 32, 63 and 125A single and
three-phase varients. The CeeForm connectors are widely used in Europe for
connection of three phase power. Ceeform is water protected, so it will
happily sit in the rain without tripping the mains out. Ceeforms are
available in splashproof (IP44) and watertight (IP67) versions. The size
of the device is determined by the amperage rating. It is virtually
impossible to couple a plug and receptacle of different voltage and/or
amperage ratings.
In addition to this there is large number of different multi-pin
connectors used to connect a group of mains circuits through one connector.
Those multi-pin connectors are generally used to carry the power from light
dimming racks to the lighting bars. The most commonly used connector for
this is Socapex, but there are also many other multi-pin connectors in use.
When using three phase power feed with large dimmer packs some things
need to be considered in the wiring. Phase controlled dimmers are a very
highly non-liner loads. Dimmers do generate a large number of odd-order
harmonics (worst is 3rd), now unlike the fundamental (50 or 60 Hz line
freq.) when 3rd order harmonics are "added up" in the neutral the magnitude
increases. Usual practice is to specify the neutral conductors at 130% of
phase conductors (rated for 130% of nominal phase current).
- 12-Circuit Pin-out - The
standard wiring of 12-circuit cables using "Pyle" type 37-pin, 20 Amp
connectors.
- 16-pin
Lectriflex Pinout
- 19-pin
Socapex/CEEP Connector Pinout
- 19-pin
Socapex Vari*lite APS trunk multicores
- 6-Circuit Connector Pinout
- The standard wiring of 6-circuit cables using 19 pin Socapex compatible
connectors.
- Ampacity Ratings for
Feeder Cable - as used in USA
- Ampacity/Electrical "Legality"
Questions
- Bulgin -
Disco power connector pinout - This is a commonly used 8 pin connector
on small disco light systems
- Bulgin
connectors wiring - These 8 pin multipole connectors dominate the low
cost and disco marketplace in the UK. They are rated at 5A per pin, with a
total plug load of 6A. The connectors are a bit unusual in that they come
in two mateable varieties, a cable connector and a chassis connector
(cable plugs do not mate with cable plugs). Either connector can be the
source or load end. The biggest nightmare is that there are a number of
different wiring schemes adopted by various manufacturers, making the
interconnection of differing equipment problemsome. Fortunately the earth
pin is separate from the power pins, and so it is most unlikely that
misconnection will cause a shock hazard.
- Cable Amperage
Guide - ratings used in USA
- Cable
Specifications - what the heck is SO, SJO, SC cable
- Connector Frequently Asked
Questions - 7-pin Socapex wiring, 19th pin of a Socapex, standard
wiring of 6-circuit cables using Socapex, wiring of 12 circuit cables
- Connector
Pinouts - stage lighting equipment pinouts for XLR, DIN, D, Socapex,
BICC, Bleecon and Cinch Jones connectors
- Connector
Wiring Details - There is, unfortunately, no single standard use for
any connector within the entertainments industries - or if there is, there
is generally no universally agreed way of wiring the pins. Here are few
common pinouts.
- Current carrying
capacities of Multicables - Ampacity of Listed Extra-Hard Usage Cords
and Cables with Temperature Ratings of 75°C (167°F) and 90° (194°F)* From
1999 NEC Table 520-44
- Dimmers,
Watts and Fuses - This is important information to understand because
the electrical supply into the building is limited, as is the power
capability of the dimmers.
- Enlightenment
Reference - Connector wiring details, cable wiring standards, IP
ratings, electricity at work and electrical safety for entertainers.
- Light
cables - cable wirings for Bulgin, Wieland/Harting and XLR connectors
- Mains
Multipole Connectors - Bulgin, Lectriflex/Harting and Socapex
connectors described
- Portable
Appliance Testing (PAT) - Electricity at Work Regulations - It is a
legal requirement under The Electricity at Work Regulations 1989 (EAW)
that all portable electrical equipment must be regularly inspected and
tested to ensure it is safe for use. This covers all electrical equipment
used for performance, including permanently installed equipment and the
electrical installation itself.
- Socapex -
pictures of Socapex and cam-lok connectors, the most common connectors
used in the entertainment industry today
- Stage Lighting Math -
useful math to lighting designers and electricians, includes useful
spreasheets for calculations
- Stagetec sound and
lighting popular connector pin out details - These pages provide
detailed information about the various connectors used in light/sound
industry and the pin connections. This includes lighting control, lighting
mains and multipair audio connectors.
- TMB Frequently Asked
Questions - contains information on wire ampere ratings and connector
wiring
- WPI
Technical Theatre Handbook: Power
Lighting design information
- A
guide to lighting the school show
- Color Filter
Equivalency Chart - list comparing Lux, Lene, Lee, GAM, Cinegel,
Getran, and Cinecolor
- Degree to
S/T Ratio Table - if you want to precisely how large an area of the
stage you will be lighting with an instrument you need trigonometric
calculations or this table and simpler calculations
- Effective
Lighting Design A to Z
- Ein Vergleich
verschiedener Scheinwerfer - information about different lamp types
with good pictures but text in German, you can use automatic
translation to English
- Find
That Color - color filter color codes listed for Roscolux, Lee and
Gam, includes conversion charts
- Keystoning
Correction
- Lanterns
- dimensions, weights and power ratings for some common lamp types
- Laser Effects
Links Page
- Pattern Equivalency
Chart - subjective list comparing GAM and Rosco
- Selecon
Pacific cool light - information on theatre light which puts out
cooler light beam than normal lights
- Setting up a
light show - some advice about how to set up Abstract effects to get
that impressive light show
- Some
Advice on Stage Lighting - article from TABS, September 1966 which
described on 1947 booklet
- Stage Lighting Design
101 - complete overview of art and science of stage and entertainment
lighting
- Stage
Lighting Fixtures
- Stage Lighting Math from
Lighting & Electronics, Inc. - collection of math formulas that
can prove useful to lighting designers and electricians
- Stage
Lighting Tech Pages - lots of information necessary for light designer
- The International Theatre
Design Archive - schene designs, costume designs and lighting designs
- The
Lighting Shootout - A comparison of your automated lighting choices.
- The
Strand Lantern Index - beam angles, lamp power and many other details
of many lighting instruments
- Virtual
Lighting Design Lab - an experiment in using the web to facilitate the
visualization of a lighting design for the stage
- WPI
Technical Theatre Handbook: Light Mixing
Light shows information
Lighting tips
Rigging involves hanging things over other people. Attention to SAFETY is
important. If something goes wrong, somebody can get hurt. Riggers need to
know the proper methods of securing items like cable, aka wire rope, to
other objects without the possibility of slipping.
Many productions can benefit from the use of artificially generated
smoke. Commercially available machines are available that use a chemical
fluid to generate smoke. The fog fluid is generally made out of glycol and
water, making it relatively non-irritating and safe for use in a theatre
setting. For low-lying fog effect, fog machines are often used. These
machines use dry ice.
There are several types of smoke effect available, each of which will
produce a slightly different result. Smoke is particularly effective at
bringing the beams produced from moving lights and lasers to life, and has
become an essential part of some lighting displays.
Low hanging fog on the floor consist of mist droplets. These fogs hug the
floor because the air in which the mist droplets are suspended is colder and
denser than the original room air. W Water and very cold substances such as
dry ice or liquid nitrogen are most often used to create the fog. However,
any liquid inert gas can be used. Some of the low-lying fogs also employ
chemical fog fluids in their systems. The low hanging fog is usually
generated just by dropping "dry ice" to hot water. Low hanging fog can also
be generated using a 'standard' smoke machine and cooling it's output (run
through icd or use special chiller/cooler). There are also "ultrasonic mist
OR fog" device which brings out fog using just normal water. There are also
devices called "oil crackers", which break oil to very small droplets. This
fog does not usually does not sow much, but makes the lights and lasers
clearly visible.
When using fog effects be warned of some potential healt effects. Dry ice
generated fog, is almost all water vapor, but also does have an appreciable
quantity of CO2 in it. Used in areas with adequate ventilation/airflow is
perfectly safe. If you put too much this type of fog to a closed room it can
get very hard to breathe (too much CO2 in air and too little oxygen). Carbon
dioxide is toxic and can cause unconsciousness in a few minutes at levels
above 7 percent.
When using fogger machinces (glycol fog) it s a good idea to worry about
the asthmatics. Some asthmatics can get a a dangerous reaction out of the
fogger fog. Most (90% ?) of 'asthmatics' as we all know cough & splutter
in stage smoke because of the psychological effect, not the actual effect.
So most of the people are fine with stage smoke, but there will always be
some who do genuinely not get on with the stuff. When using fogger on show
it could be a good idea to put a warning that fog is used.
- Discussion about
intelligent lighting
- Lighting
network discussion at Delphi - free to login
- LiteSite - Light Jockey discussion
forum and mailing list home site
- rec.arts.theatre.stagecraft
newsgroup - discussion on theatrical lighting
- Show-Control
Talklist - The show-control mailing list is for the discussion of all
aspects of show control, including (but not limited to) design,
construction, operation and maintenance of computers, lighting, rigging,
networks, sound and special effects, as well as projection, video control,
stage management, electronic design, and show production as it
specifically relates to show control. Subscribers include theatre and show
professionals and vendors, teachers and students, community theatre
volunteers and others who are interested in the subject.
Fiber optic lighting
Link pages
Fun
Intercom system used by show people
Unsorted links
- Museum
And Gallery Lighting - Lighting for Museums and Art Galleries has a
unique set of priorities, those of conservation and effective display. In
many ways these two requirements conflict as there is a necessity to
restrain lighting levels to promote the former whilst the latter requires
sufficient light of a high quality to provide optimum viewing conditions.
Misc
In an incandescent bulb, current heats the tungsten filament, which glows
white hot. To prevent the filament from rapidly oxidizing, the bulb is filled
with an inert gas, mainly argon at low pressure. Much of the energy dissipated
by the filament is heat; only a little is light. The fact that a bulb uses 100
watts of energy doesn't mean it gives 100 watts of light (typically only 10% or
less of the energy consumed by incandescent lamps is actually used to produce
light, the rest ends up as heat). To get most light buy the bulbs that give the
highest number of lumens for every 100 watts of energy used. Most light bulbs
average around 500 lumens per 60 W. A lumen is the unit of luminous flux equal
to the light emitted in a unit solid angle by a uniform point source having an
intensity of one candela. There is no direct correlation between lumens and
watts because other variables may affect the relationship, such as lamp design
life and fill pressure
Tungsten halogen lamps try to reduce filament evaporation by including small
amounts of bromine in the bulb atmosphere. The bromine forces the tungsten to
redeposit on the filament. Halogen lamp life is about twice that of conventional
incandescent lamps. Incandescent lamps are available in wattage ranging from 2
to 1500 watts and above. In many cases, the light level generated by a
particular luminaire can be increased or decreased simple by switching to a
different lamp wattage (do not exceed the maximum lamp power allowed in the
luminaire).. This is because incandescent lamps are "resistance smart." The
lamp's filament is designed and sized to offer a preset amount of resistance to
current flow. This controls the amount of current passing through the lamp. As
long as the bulb voltage is right for applied mains voltage, it will work well.
Light bulbs have changed very little over the years. They are the cheapest
form of lighting product, but they are also the most expensive and inefficient
light source in the long run. The bulb type has effect on the bulb live and
light it gives out. Incandescent bulbs bring out warm yellow tones and are
recommended for living rooms and dens. Halogen bulbs are the brightest, whitest
and more expensive. They cost twice as much as incandescent bulbs but also last
twice as long. Halogen bulbs give out more light per watt than "normal"
incandescent bulbs (up to almost 2 times more in best cases). Typical halogen
light bulbs offer a life span of 1,500 to 2,000 hours.
General information
Fluorescent lamps are low pressure or low intensity discharge lamps. The
lamp consists of a closed tube that contains two cathodes, an inert gas such
as argon, and a small amount of mercury. When voltage is supplied to the
lamp in the correct amount, an electrical arc strikes between the two
cathodes. This arc emits energy that the phosphor coating on the lamp tube
converts into usable light.
A fluorescent lamp tube has argon combined with a minuscule amount of
mercury. At the low pressure within the lamp, becomes mercury vapor, even at
temperatures only slightly above room ambient. An electrical discharge
ionizes the mercury vapor, which emits UV radiation. The UV radiation
stimulates phosphors that coat the interior of the lamp's glass envelope,
and the phosphors convert essentially all of the UV radiation to visible
light. . The conversion of electrical energy to light is much more efficient
than in an incandescent lamp, and a considerably smaller fraction of the
input energy is converted to heat. Generally fluorescent fixings give out ~
3 times as much light/watt as a halogen. The color of the light that a
fluorescent lamp produces depends on the composition of the lamp's
phosphors.
Compact fluorescent light bulbs, or CFLs, use fluorescent light
technology in a compact size that can be used in place of standard light
bulbs. Compact fluorescent light bulbs use 70 percent less energy than
standard incandescent light bulbs. CFLs come in a variety of sizes,
depending on wattage and manufacturer, and will fit most standard lighting
fixtures. CFLs last an average of 10,000 hours, compared to only 850 hours
for a standard incandescent light bulb.
- A
guide to Fluorescent Lighting Ballasts
- Avoiding
Mistakes in Ballast Choices
- Ballast
Circuit Types - Three major types of lighting system circuits are in
use today for electromagnetic ballasts: Preheat, Slimline Instant Start
and Rapid Start. With the introduction of hybrid and electronic ballasts,
two new circuits were introduced: Modified Rapid Start and Instant Start
of Rapid Start Lamps. Circuit examples are mainly for lamps for 110V AC
lamps.
- Compact fluorescent light
bulbs - what are they and how they work
- Compact
fluorescent Light Bulbs - One of the best ways to save money on your
lighting bill is to switch from standard incandescent light bulbs to
compact fluorescent light bulbs. Compact fluorescent light bulbs, or CFLs,
use fluorescent light technology in a compact size that can be used in
place of standard light bulbs.
- Dimming Fluorescent
Lamps
- Fluorescent
Lamps, Ballasts, and Fixtures
- Fluorescent light
bulbs, lamps and fixtures - fluorescent lamp FAQ
- Inrush
current in fluorescent light systems - a technical overview of the
subject, covers bot magnetic and electronic ballasts
- Loisteputken
korjausohje - how to repair fluorescent tubes and fluorescent lights,
text in Finnish
- Lumen
Output vs. Power Input For Fluorescent Sources - This curve shows the
relationship of fluorecent lamp light output to power consumed by high
frequency dimming ballast.
- Neon
and fluorescent lights explained
- Purpose
of a Ballast - fluorescent lamps cannot be connected directly to the
power line, they need a ballast to operate
- Troubleshooting
fluorescent lights
- Ultraviolet and
UV Lamps
Lamp data
Other technical information
Circuits
- 12VDC
Fluorescent Lamp Driver - This fluorescent lamp driver uses a normal
120 to 6V stepdown transformer in reverse to step 12V to about 350V to
drive a lamp without the need to warm the filaments.
- 1
watt fluorescent lamp night light - simple circuit that operates from
120V AC, uses cold cathode 1W fluorescent lamp and RC network for current
limiting, pdf file
- 40W
Fluorescent Lamp Inverter - This 40W fluorescent lamp inverter allows
you to run 40W fluorescent tubes from any 12V source capable of delivering
3A.
- 5W
fluorescent lamp intensity modulator - circuit hits the small lamp
with narrow 1us pulses at a rate of 10KHz, each pulse launches about 10
watts of visible light, lamp starting method is a bit crude, pdf file
- Compact
Ballast - International Rectifier
application note in pdf format
- Neon
Desklamp - This circuit will power a 6 inch 4 Watt fluorescent tube
off a 12 volt supply, consuming 300 mA. It may also be powered by a
suitably rated universal AC/DC adapter.
- Driving a
fluorescent tube - runs small fluorescent tube on DC current, powered
from 230V mains
- Dual
monostable drives quasiresonant inverter - circuit to power a
fluorescent lamp from 12V
- Flourecent
Ballast Design using Passive PFC and Crest Factor Control - also
available in pdf
format
- Half-bridge
inverter has variable frequency - modern electronic ballasts require
added features, such as high-frequency preheat for filaments, nominal
lamp-power control, and light-dimming capability, because output inverter
operates in resonant mode, you can control the power or current of these
ballasts simply by varying the switching frequency
- Inverter
Circuits - circuits for driving fluorescent light bulf from low
voltage source, most reverse engineered from commercial products
- Linear
Ballast - International Rectifier
application note in pdf format
- Neon
Desklamp - power a 6 inch 4 Watt fluorescent tube off a 12 volt supply
- Powering fluorescent
lamps from low voltage DC! - inverter circuits
- Preheat
starter for electronic ballast - Electronic ballasts for fluorescent
lamps use various techniques to turn on the bulbs. The design usually
involves a compromise between turn-on voltage and lamp life because the
two are inversely related. One way to reach a reasonable compromise is to
initially allow a momentary inrush current to warm the filaments, followed
by a series of interrupted short circuits across the lamp that generate
the required high voltage to trigger the fluorescent. With a preheated
filament, the necessary strike potential reduces to half.
- Simple
applications of neon glow lamps: The main voltage monitor - simply a
lamp that glows when the main voltage is present
- Switching
regulator controls CCFT - you can control the current in a
cold-cathode fluorescent tube (CCFT) and, hence, its brightness with a
switching-regulator IC
- UV-Belichtungsgeraet -
UV-Light-Source with tubes, text in German
HID lamps
HID lighting stands for High Intensity Discharge Lighting. The HID lamp
group is one of the three major lamp groups used in modern lighting (other two
are incandescent and fluorescent). The HID lamp group includes mercury vapor
and metal halide lighting systems. The HID lamp group is by far the most
important lamp group used in modern exterior and industrial lighting. HID
light sources are highly regarded for their long life and high efficacy. The
compactness of HID lamps also increases optical control and allows for a great
deal of flexibility in the area of luminaire design.
HID lamps are "amps dumb." You can't connect them to mains directly. HID
lanps do not have a built-in resistance to current flow, and must rely on an
external ballast to set and limit current flow to the lamp. The wattage and
voltage ratings of the HID lamp and its ballast must match exactly.
Xenon lamps
Circuits
- LEDs
move from indication to illumination - The versatile LED is now bright and
colorful enough to use in applications beyond simple indicators and readouts,
but you still need to grapple with issues of source drive, brightness,
derating, spectral output, and viewing angle.
In many situations, luminiares are not used constantly at full power. They
are generally required to fade in and out, and to be used at different
brightnesses, or intensities, at different times. A device is required to
regulate the amount of electrical voltage sent to each luminaire, thereby
allowing the intensity of the light to be varied: this is a dimmer.
A light dimmmer allows controlling of a light bulb brightness. The basic idea
of dimmer opertion is that it limit the electrical power that gets to the light
bulb. Dimmers today come in many styles to control different types of loads. In
some old mains powere lighting systems variable transformer is used as light
dimmers, but nowadays they are largely replaced by electronic light dimmers with
operate using phase control principle (first this kind of SCR based system was
publicly demonstrated in 1962 in London). There are also some other dimmer types
used in some special applications (variable transformers, simple resistors for
vely low power bulbs and PWM controllers for DC lights). Proper matching of
control system types to the load is very important. Not all dimmers work
properly with all types of loads. Using wrong type of dimmer causes that the
dimming does not work well, and in worst case can damage the light dimmer and/or
the lamp connected to dimmer. Normal incandescent bulbs can be dimmed with very
many dimmer types, but some other light types are harder to dim. Be warned not
to dim lights which have motors or control electronics in them (unless they are
specifically designed to be dimmed). For example if you dim a typical disco
light (one with electronics and motors) it will probably damage the electronics.
One light dimmer regulates one lighting circuit, or channel, allowing the
electrical supply sent to the attached lumainire to vary between 0 and the mains
voltage (230V or 110V). Each dimmer is designed to work up to a maximum
electrical load, called its capacity. Any number of luminaires can be connected
to a dimmer, until the capacity is reached. In stage lighting applications the
dimmer systems are generally built from many dimmer packs. A dimmer pack
comprises a number of individual dimmer modules, housed together for
convenience.
Typical light dimmer circuits use Pulse Width Modulation (PWM) to control the
brightness of the bulb. It controls the brightness of the bulb by turning the
bulb ON for part of time and then OFF for part of time. The brightness of the
bulb is a function of the ON time to the OFF time. Dimmers designed to dim DC
light bulbs generally work in this way, they just have an adjustable
free-running oscillator with variable pulse width to control the light output.
Modern mains light dimmers use TRIACs to control the flow to the light bulbs so
that only needed part of mains pulse wave enters the light bulb (the PWM
operation is syncronous to mains power).
Light dimmers are quite energy efficent, although they are not ideal. For
mains operated light dimmers the efficiency is usually in the range of 90-97%
depending on dimmer load and design for a normal triac based light dimmer (phase
control). The efficiency of a dimmer module can be determined by loading it to
full capacity and then measuring the voltage drop across the dimmer module (you
need at True RMS voltmeter between the Line and neutral wires to do the
measurement). The SCRs (Silicon Control Rectifiers) or triac that provide
current control in the power device, part of the dimmer module, drop about .75
Volt across each junction (there are two). The choke is responsible for the
remainder of the voltage drop. The amount of voltage drop across the choke
varies proportionally to the connected load. This means that there will always
be a dimmer insertion loss of at least 1.5 volts + the voltage drop across the
choke. This is true for all SCR / Choke based dimming regardless of
manufacturer. This power loss in dimmer needs to be taken into consideration
when calculating the amount of Heating Ventilating and Air Conditioning (HVAC)
required in a dimmer room of large dimming systems.
Dimming can extend lamp life. Turn to the tungsten halogen section of most
lamp manufacturers catalogues and you will find a small graph which correlates
things like % of rated lamp voltage against % rated lamp life and colour
temperature. If you study these graphs they will show that 5% under voltage
(i.e. dimming) will produce a much longer average life without significantly
affecting the light output or the colour temperature. Dimmign more than that
usually reduces light output considerably and changes the color temperature
quite much. When lamp is dimmed a lot, the light output drops very much faster
than consumed power (so the efficiency of lamp drops considerably when normal
lamp is dimmed).
One inherent drawback of the ubiquitous thyristor dimmer is that when it is
switched on, noise and harmonic disturbances are caused due to the rate of
change of current. High peak currents are also generated. Resonance in the lamp
filament, colloquially called "lamp sing", is generated by the abrupt, high
frequency switching of power to the lamp. The solution has traditionally been to
fit a large inductor (choke) to the dimmer circuit to reduce lamp sing and
radiated emissions.
With resistive loads, such as incandescent lamps, the current and voltage
curves match. This will keep every light dimmer happy. Once you start trying to
work with reactive loads, such as transformers, motors, or fluorescent lamps,
you may get unhappy dimmers unless you use spacial dimmer deisgned to handle
inductive loads. With many normal dimmers and a small inductive load, a
resistive ballast in parallel will usually keep the dimmer happy.
For household use dimmer switches come in four popular styles: dial, slide,
touch pad, and combination light switch/dimmer slide. Since dimmer switches come
in different shapes and each operates a little differently, you should always
follow the instructions included with the switch for installation and operation.
Theatrical applications and rock shows generally use remotely contolled dimmer
packs. Each dimmer pack contains many individual remote contolled (usually 0-10V
DC or DMX-512 controlled) light dimmer circuits in one case.
- Diagrams to
illustrate how the triac is used to vary the brightness of the light
bulb
- Dimmers and
dimmer control general introdution
- Dimmer
with AC motor? - Normal light dimmers may have some problems with an
inductive load, such as a motor. Essentially, the dimmer works by chopping
bits out of the AC waveform. Inductors, like the coils in a motor, dislike
having the current through them changed abruptly, and produce large voltage
spikes which can cause the triac to self-trigger or burn if not properly
taken care of. This article tells how to do this.
- Four Great Reasons to Dim -
There are four major reasons to use lighting controls, this document tells
what those are. This document has Energy Savings Charts for dimmed
incandescent light bulbs and fluorescent lights.
- How do I fix a
buzzing sound coming from my dimmed lights? - Sometimes when a
triac-based dimmer controls a light, it can produce an audible hum from the
light bulb or the dimmer itself. When a lamp is dimmed, the triac is
effectively switches the lamp on and off 120 times per second. If the
filament in the bulb is not rigidly mounted, the magnetic field induced by
the rapid rise in current can set it vibrating - resulting in an audible
buzz.
- I have eight
50-watt halogen lamps connected to a single dimmer switch. It makes a loud
buzzing sound when the lights are dimmed. How can I fix this problem? -
Sometimes when a triac-based dimmer controls a light, it can produce an
audible hum from the light bulb or the dimmer itself.
- Installing
a Dimmer Switch - A dimmer switch is one of life's little conveniences
that, once installed, you wonder how you ever got along without! Any
standard single-pole wall switch is a good candidate for replacement with a
dimmer switch -- as long as there's ample room in its electrical box and the
light it's controlling is of the incandescent persuasion.
- Incandescent
Dimmer Installation - example manual how to install light dimmer to wall
wiring (instructions for USA).
- Installing
a Dimmer Switch
- Is it normal for
wall dimmer switches to run warm or hot? - As electricity flows through
dimmer component, some heat is built up and must be dissipated somewhere,
most commonly it is dumped into heatsink or the metal mounting bracket. This
is the metal plate on the front of the switch. This heat in turn is
transferred to the switch cover plate. Generally dimming wall switches must
be able to dissipate one watt of internal power (heat) for every 100 watts
of controlled load.
- Lamp Buzz
With Solid State Incandescent Dimmers - This document tells what causes
it and how to reduce it.
- Light Dimmer
FAQs
- Lutron
Virtual Nova T - An on-line application to view how a lighting control
can affect the lighting in a room by moving the slider up and down using
your mouse.
- The
Eye's Response to Light "Square Law" Curve
- WPI
Technical Theatre Handbook: Dimmers - This document has information on
loght dimmer history.
A basic light dimmer is a mains voltage controlling device which controls
which amount of each mains halw wave gets to lamp and which does not. This is
done by controlling the conduction angle (time after zero cross) in which the
mains switching element (usually TRIAC) starts to conduct. When TRIAC starts
to conduct, it will conduct up to the next zer crossing of mains voltage (time
when current decreases zero). An RC network delays the trigger pulses on the
gate of the TRIAC. The longer the RG time constant is, the longer it takes for
the TRIAC to trigger which causes less time of conduction. Less time of
conduction means less power to lamp which means less light output.
Remember, that most mains powered dimmer circuits are "hot" and dangerous!
Line power circuitry should be constructed only by qualified persons and
enclosed into a suitable protective case before using it.
- 1200 Watt
Lamp Dimmer Circuit - This circuit is a lamp dimmer circuit that is
capable of controlling up to 1200 Watts of load powered from 120VAC source.
- Basic
Incandescent Light Dimmer Circuits
- Basic
Lamp Dimmer - Lamp dimmers using traics can be quite simple, nothing
more than a potentiometer, resistor, capacitor and triac with a built-in
diac. This circuit is similar to designs using unijunction transistors to
generate the triggering pulse.
- CMOS
gate implements reverse phase control - this circuit implements a
"reverse" phase control, using only a single CMOS 4001 quad NOR gate,
conduction begins at the zero crossing of the ac sine wave and the turn-off
timing is adjusted based on dimmer setting
- Design
light dimmer assignment - very basic theoretical dimmer circuit
- Dimmer circuit
for normal light bulbs
- Dimmer
switch 230V / 50Hz - This dimmer switch is suitable for 230V
incandescent lamps with a total power of up to 300 Watts. The circuit is
wired in series with the lamp so it can directly replace the wall switch.
- Electric
power controller - suitable as simmer for 100V lamp up to 1200W
- Homemade neon
dimmer
- Independent
dimming from two locations - kludge #3251
- Light
Dimmer - dims 220V light
- Light
dimmer circuits - schematic for 120V AC and 230V AC dimmer with
description how light dimmer works
- Novel
circuit controls ac power - simple fan dimmers can only handle about
100W, but this circuit increases the load capacity to 3000W
- Odd application
of neon glow lamps: The Dimmer - neon glow lamps can also be used only
for their U/I characteristic and not for producing light
- SCR
phase control yields solid-state switch - SCRs (silicon-controlled
rectifiers), or thyristors, have higher current and voltage ratings, lower
conduction losses, and more robustness than triacs. For these reasons, SCRs
are better suited to high-power applications. This is high power dimmer
circuit for 115V AC.
- The Dimmer -
Neon glow lamps can also be used only for their U/I characteristic and not
for producing light. In this circuit of a dimmer the diac is replaced with a
neon glow lamp, but it works exactly in the same way than a classic one.
- TRIAC Light
Dimmer - dim 115V lights up to about 350 watt
- TRIAC Light Dimmer
- This little circuit can be used to dim lights up to about 350 watts.
It uses a simple, standard TRIAC circuit that, in my expirience, generates
very little heat. Please note that this circuit cannot be used with
fluorescent lights.
- Triac
Light Dimmer -
- Varying
brightness AC lamp - SCR is used to slowly vary the intensity of a 120
volt light bulb by controlling the time that the AC line voltage is applied
to the lamp during each half cycle
Touch dimmers
- Electronic
Touch Dimmer - With this circuit we can change the brightness of lamb,
with a only key of touch. This circuit is based on S566B IC from SIEMENS.
This IC, it processes the information of duration of touch and then it
checks the brilliance of lamb, according to this information. If we touch
upon the key for a small period of time (60 until 400 ms), the lamb simply
only changes situation, that is to say from OFF in ON or on the contrary,
depended from the situation is found itself before the unit. In one of
bigger duration of touch (more from 400ms), is altered the brilliance of
lamb, late from dark in luminous or on the contrary.
- An Experimental
Cross-Fader - ideas to modify simple rotary light dimmers to make a
cross-fader
- Four
channel dimmer rack - 4 channels, 900W maximum per channel, 2300W
maximum total, operates at 230V 50Hz mains supply, uses standard 0-10V
analogue control signal
- Light
dimmer - This is a simple dimmer circuit that can be controlled with 0 -
10 VDC. This design is for 4 channels.
- Light
dimmer circuit with 0 - 10 volt input - This is a simple dimmer circuit
that can be controlled with 0 - 10 VDC. It is designed for 110V AC.
- N-channel light
dimmer - schematic of 0-10V DC controlled 230V AC light dimmer in
postscript format, the circuit is designed by Kari Hautio, adaptable to different
channel numbers and power ratings, uses standard 0-10V analogue control
signal
- LightProcessor has a circuit diagram of
MP2D Dimming pack in pdf format
- LX-800 LIGHTING
SYSTEM - inexpensive 8 channel lighting controller for small theatre
groups or musicians, includer dimming and sequencer, sound to light,
designed for 240VAC 50Hz supply, fed domestically from 3-pin 16A sockets
- LX-800 power control
section - 8 channel 0-10V DC controlled dimming pack with 5A at 240V
power rating per channel
- Remote
Control Lighting - up to four channels of light dimmers to be remotely
controlled with IR remote
- Velleman
K8003 DC Controlled Dimmer Kit - This is a 0-10V DC controlled dimmer
module. Putting many this kind of modules inside on case makes a multi
channel light dimmer. This circuit works from 220V, 110V and 24V. The
Maximum current this circuit can control is 3.5A.
- 8-Bit Digital Ligt
Intensity Controller
- All-digital
circuit fires triac - this digital circuit allows a µP to control ac
power precisely without using any digital-to-analog circuitry
- An AC
Dimmer for Use with the Stamp - This document contains directions for
converting a comercial 120VAC dimmer for use with the stamps PWM output. The
basic idea of the circuit is to replace the variable resistor that is
connected to the knob of a dimmer with an optoisolater. The optoisolator is
connected to an operational amplifier that interfaces with the stamp.
- Computer controlled
dimmer - Controlled by RS232 (2400-38400bps) or RS485 DMX512, *10A
outputs, 1 phase power input
- Controller
provides multimode phase control - 16C508 multichip controller, you can
implement a phase controller that provides a two-key, indexed processor for
ac power, circuit design idea from EDN
Magazine
- Experiment
to dim a light bulb by computer - A simple example to control the
brightness of a bulb by means of Computer control. The presented simple
hardware and computer program uses Pulse Width Modulation (PWM) to control
the brightness of the bulb.
- EZ Dimmer - This
small PIC microcontroller based dimmer gives 3 power levels for single 20
watt 12VDC lamp system. This document includes circuit description, circuit
diagram, cirucit board and PIC HEX code.
- High
Efficiency Halogen Bike Light Dimmer - used PIC 16F84 to control 20 watt
12V DC halogen lamp
- LED
dimmer uses only two lines - This circuit provides 32 steps of
brightness control (from 0 to 100%) for a backlight or instrument panel,
using just two general-purpose-microprocessor signals. Although the circuit
shows the circuit driving white LEDs, the load could also be a dc motor or
an incandescent lamp. The basis of the circuit is a modified Schmitt-trigger
relaxation oscillator controlled by MAX5160 digital potentiometer.
- Microcontroller Multichannel
Light Dimmer - The project is a microprocessor-controlled multiple
channel lighting dimmer, that could be used in theatrical and other
applications. The device will accept input from a wide range of interfaces:
RS232 input, DMX512 (theatrical lighting standard) or RS485, or a Musical
Instrument Digital Interface (MIDI). The device will control a number of
lamps by using some form of AC power control. The firmware in the
microcontroller will handle all functions, from decoding the protocol on
either of the input interfaces through to timing the firing of power triacs
for the output.
- PIC 16C63
Midi controlled Light dimmer - four channel dimmer cintrollable using
MIDI interface, operates at 110V AC, design can be modified to use standard
baud rates, and the RS-232 Electrical interface
- Power Phase
Control Using Z8 Microcontrollers - The design described in this
application note controls the nergy provided to an AC load. The Z8
microcontroller controls the power level to the load by varying the firing
agle of a triac. The triac is in series with the load. Pressing the increase
or decrease button varies the power to the load.
- Q
Light Controller Project - Q Light Controller Project aims to develop a
"cheap" way to control a set of lights through a computer interface. The
name QLC comes from Qt Light Controller.
- New
Power Designs and Application Information from STMicroelectronics - new
approaches for light dimmers using the ST62 series microcontroller including
touch dimmer and dimmer circuit based on IGBT or MOSFET
- PIC 16C63
Midi controlled Light dimmer - This box has a MIDI interface and can
control lights.
- PICDIM
Application Note - This is a lamp dimmer design based on PIC 12C508
microcontroller.
- Smart Light
Dimmer - light dimmer design using a PIC16C55
- Smart Light
Dimmer Schematic - Idea for using 68HC05 and TRIAC to make a light
dimmer.
- ST6
Microcontroller and triacs on mains - includer dimmer circuit example
- µC
implements pushbutton light dimmer - circuit design idea from EDN Magazine
- Remote
Controlled Lamp Dimmer - Here is a complete design project from
Biltronix that allows you to use an off the shelf remote to control the
brightness of the lights.
- Remote
Control Lighting - up to four channels of light dimmers to be remotely
controlled with IR remote
Fluorescent dimming requires special planning. Dimmable ballasts, 4-pin
lamps and compatible controllers are required for successful fluorescent
dimming.
- 12V
20W lamp dimming using current controlling principle - pdf file
- 12
Volt Lamp Dimmer - Here is a 12 volt / 2 amp lamp dimmer that can be
used to dim a standard 25 watt automobile brake or backup bulb by
controlling the duty cycle of a astable 555 timer oscillator. The duty cycle
of the 200 Hz square wave can be varied from approximately 5% to 95%. The
two circuit examples given illustrate connecting the lamp to either the
positive or negative side of the supply.
- 12V
or 24V DC Pulse Width Modulator - This circuit can be used as a light
dimmer or DC motor speed controller.
- 12
Volt Lamp Dimmer - dimming done by controlling the duty cycle of a
astable 555 timer oscillator
- A Dome Light
Dwell Extender/Dimmer - This circuit allows you to dim your dome light
and keeps the dome light of your automobile on after you close the door.
- A
linear Constant Current LED Lamp Dimmer - This simple Linear circuit
provides continuously variable regulated current (~25-400mA) from a 4-6 Volt
source.
- A
Microcontroller Based Motor Speed Control / Light Dimmer - article with
theory and circuit
- Circuits
provide 4- to 20-mA PWM control - are useful when you use 4- to 20-mA
current-loop signals to control a PWM signal
- DC to
Pulse Width Modulator - This control circuit is suitable for the
accurate control of DC motors, lighting levels, small heaters as well as
other applications. The circuit converts a DC voltage into a series of
pulses, such that the pulse duration is directly proportional to the value
of the DC voltage. This circuit can operate with 8-35VDC and control up to
6.5A current. The control voltage is adjustable (can be tuned for 0-10V DC).
- Dome Lamp Dimmer
- Efficiently dim the car's dome or map light (low voltage light), pdf file
- Dome
Lamp Dimmer
- Dome
light dimmer for Cars - Usually when the car door is closed, the dome
light just goes OFF. With this circuit, you can have our dome light fade
slowly in brightness and finally go OFF.
- Efficient dc lamp
dimmer using 74C14 and power FET - dims 12V DC lamp up to 24W power
- Electronic
transformer dims halogen lamp - switched-mode power supply for a halogen
lamp, commonly known as an electronic transformer, is a clever and simple
device which can be enhanced with dimming control
- Halogen
light dimmer provides infinite control - dimmer works to inject a
constant current into the halogen lamp and to regulate that current using
pulse-width modulation (PWM) according to a potentiometer-controlled input,
or a 0 to 5V signal
- High
Efficiency Halogen Bike Light Dimmer - This circuit uses a PIC 16F84
microcontroller with some software to control 20 watt 12V DC halogen lamp
- Idea
for a low voltage light dimmer - A light dimmer is a means of
controlling the "brightness" level of a lamp, in this application we will
use a 555 timer to control the brightness level of a low voltage
incandescent bulb of up to 60 watts. For the light dimmer to work the 555
timer is configured as a "variable cycle", astable oscillator running some
where around 300 Hz.
- Instrument panel lamp
dimmer control - This circuit uses an MC3392 low side protected switch
and an MC1455 timing circuit to form an automotive (12V DC) instrumentation
panel lamp dimmer control. The brightness of incandescent lamps can be
varied by Pulse Width Modulating the input of the MC3392. The typical timer
frequency is approximately 80 Hz. The duty cycle potentiometer controls the
duty cycle over a range of about 3% to 97%. Any number of lamps can be
control, so long as the total load current is less than 1 amp. The LED is
used to signal the existence of a system fault (overvoltage, current
limiting, or thermal shutdown).
- Lantern
Dimmer/Flasher
- PLL-based
converter controls light source - digitally control the light intensity
of a lamp, control loop is based on a PLL, in which the VCO comprises a
light-to-frequency converter (TSL220) coupled to a light source that derives
its drive from a switching regulator (L4970A)
- PWM
circuit uses one op amp - circuit delivers a rectangular signal with
duty cycle varying between 0 and 100% in response to an input signal varying
from 0 to 5V dc
- PWM
Motor/Light Controller by G. Forrest Cook
- PWM
Motor/Light Controller - pulse width modulator for 12 and 24 Volt
applications, uses 400 Hz PWM frequency and can control current up to 3 amps
- PWM
Motor/Light Controller - 12 or 24V pulse width modulator for light
dimming or DC motor controlling
- PWM
Motor/Light Controller Variations - diagrams are for 12V operation and
there are high side (common ground) and low side (common +12V) versions
- Smart 12 volt light
dimmer - This automatic dimmer will control up to 50 watts worth of
halogen lamps in order to maintain a consistent light level in a room.
Document is in pdf format.
- Switching
regulator turns into light source - simple external feedback circuit
transforms a switching regulator into a constant-intensity light source
- Two-wire
dc lamp dimmer replaces rheostats - low-cost DC lamp dimmer that can
control more than 100W of incandescent panel lighting from 12V DC,
originally designed for use in commercial trucks
LEDs operateed from current regulated DC power source. LED intensity can be
changed by controlling the LED current directly or by using PWM method. For
dimming only one LED the simplest method is to use variable resistor as the
current limiting resistor. For more efficient operation a PWM method is
preferred.
- A
linear Constant Current LED Lamp Dimmer - This simple Linear circuit
provides continuously variable regulated current (~25-400mA) from a 4-6 Volt
source.
- Circuit
controls intensity of reflex optical sights - A popular category of
aiming/pointing aids is the reflex, or "red-dot," sight. This system finds
use in such diverse applications as astronomy, archery, and shooting. In the
reflex sight, light from an internal source—typically a high-intensity red
LED—reflects from a curved, transparent optical (reflex) element through
which you view the target. The result of this geometry is that the image of
the LED (the red dot) appears superimposed on the target image, thus
indicating the point of aim. When you correctly adjust the aiming point of
the telescope, bow, or gun, the target and LED images coincide. For best
sight performance, the intensity of the red-dot light source must at least
roughly match the illumination level of the target. This circuit adjust the
LED intensity based on the target.
- Fading
Red Eyes - can be used to slowly illuminate and fade a pair of red LEDs
- LED
dimmer uses only two lines - This circuit provides 32 steps of
brightness control (from 0 to 100%) for a backlight or instrument panel,
using just two general-purpose-microprocessor signals. Although the circuit
shows the circuit driving white LEDs, the load could also be a dc motor or
an incandescent lamp. The basis of the circuit is a modified Schmitt-trigger
relaxation oscillator controlled by MAX5160 digital potentiometer.
- LED Lamp
Dimmer - This circuit provides 32 steps of brightness control from 0 to
100% for a backlight or instrument panel using just two general purpose
microprocessor signals. In addition, very little board space is required
since only three SOT23's and a uMax package are used. Although the example
circuit is driving white LED's, the load could also be a DC motor or an
incandescent lamp.
- Single
FET controls LED array - White-LED backlights are gaining acceptance
because they offer higher reliability and simpler drive circuitry than
backlights based on CCFL (cold-cathode-fluorescent-lamp) and EL
(electroluminescent) technology. This circuit shows a switch-mode boost
design that regulates current instead of voltage and switching off
individual LEDs or groups of LEDs is not a problem.
In almost all stage lighting situations, luminiares are not used constantly
at full power. are generally required to fade in and out, and to be used at
different brightnesses, or intensities, at different times under control of
lighting operator. The actual dimming is done usign the light dimmer, but it
needs to be controlled in some way, usually form remote location. The control
desk, or simply the desk, is the front-end of the lighting control system, and
provides an interface between the dimmers and the operator. The state of each
dimmer can be changed from the desk, therby controlling the output from the
luminaires.
The control desk must communicate with the dimmers in order for the changes
made by the operator to take effect on the stage. There are many communication
system in use between the lighting desk and the dimmers. There are both analogue
and digital systems in use. Analogue systems use a control signal that varies in
voltage or current in direct relation to the required intensity. Digital systems
use control signals that send the required control level numerically for each
channel. The control information could be communicated to the dimmers by using
one control wire for each channel: this is called multicore control.
Alternatively, each control channel can be instantaneously measured, and the
resulting values sent down a single control wire to the dimmer in sequence. This
procedure is called multiplexing.
Digital systems are more reliable than the analogue equivalent, faster and
can be used for more accurate controlling. Besides light dimmers digital light
control protocols (most often DMX-512) are used to control devices light
intelligent lighting (like roboscanners), foggers and many other lighting
devices.
DMX is a lighting industry standard way of controlling lighting equipment.
It allows for one controller (like a lighting desk) to control many lights.
DMX is limited to controlling 512 separate parameters, that's where the name
DMX-512 comes from. DMX-512 is a protocol for controlling (at a basic level)
the brightness of lights in a theatre (it is vary capable and can be used for
controlling moving lights, smoke machines, strobe lights etcetcetcetc) . It
basically consists of one 8-bit (on or off) signal for each light which sets
the brightness level (0-100%) of the light to one of 256 levels.
DMX-512 is the standard interface and protocol used used in the theatre and
entertainment industry. DMX-512 allows control systems to communicate with
dimming systems, automated luminaires, color scrollers and with other
equipment. The standard is developed by USITT at 1990. The standard is extremely
simple.
Officially DMX is carried on 5 pin connectors, which carry the data (RS485)
on pins 2 & 3, screen (and common mode reference) on 1. There is a second
data link on pins 4 & 5 the format of which has never been well defined
and it is seldom used in practice. This means that at an electronics level,
the signal is sent through 5-core cable (but only 3 are ever used) consisting
of 0v, +ve and -ve signal wires. Cable for DMX-512 installations should be 110
ohm impedance shielded twisted pair cable. A normal microphone cable (shielded
twisted pair) works OK for short runs, but can cause problems in long runs (so
using it is not recommended).
In DMX-512 world there has been a logn debate on 3-pin vs 5-pin connector.
The ofifcial standard says 5-pin connector. Unfortunately some manufacturers
use a cheaper 3-pin XLR connector instead of standard 5-pin. Cheaper/budget
lighting kits (like many disco effects) are almost always 3 pin, probably
because the plugs are cheaper! It seems that 3 pin is becoming the modern
de-factor norm (although not conforming to the DMX512 standard) and 5 pin is
becoming more unusual. Current Martin kit uses 'pin 3 +ve' but older Martin
stuff is the other way round. It's therefore worth carrying 'change-over'
connectors as well as 3-to 5-pin adaptors if you are workign with systems
consisting of components from many different manufacturers. Most commonly used
DMX-512 connector wiring is:
- Pin 1 - Ground (shield)
- Pin 2 - Data complement (-)
- Pin 3 - Data true (+)
This wiring is same for 3-pin and 5-pin
implementations.
The DMX-512 interface is electrically RS-485 bus where there is one
transmitter all the time transmitting and multiple receives along the bus. The
wiring for what DMX-512 is designed to is 120 ohm shielded twisted pair
wiring. DMX-512 is designed to use 5-pin XLR connectors, but some
implementations use 3-pin XLR connectors. The protocol used in DMX-512 bus is
similar to normal serial communications (like RS-232 with 8 data bits + 1 stop
bit) and operates at 250 kbps speed. A DMX network is restricted to 32 devices
in a daisy chain (including source), and the far end of the network should be
terminated with a 120R resistor between pins 2 & 3. If more than 32
devices needs to be connected, suitable actrive signal repeaters and/or
splitters needs to be used to split the wirign to parts with less than 32
devices in each part.
DMX is a very accurately timed stream of repeating data that loops
continuously. To create this continual stream of data at 250,000 bits per
second takes a lot of processing power and finely tuned software, and as such
most commercial PC to DMX modules use on board memory and a processor to churn
the data out continuously leaving the PC free to work on levels and update the
module as required. The receivers for DMX-512 needs to be carefully designed,
because a DMX512 receiver MUST properly decode ANY possible DMX512
transmitter. If the standard does not say that a transmitter can't do
something someone has designed one that does!
The SIGNALING in DMX is a "real" standard - virtually anything can coexist
with virtually anything else and DMX will control it all and things stay out
of each other's way nicely. On the other hand, the cabling isn't since two
devices that use the spare pair differently might object to being on the same
daisy-chain.
General information
Technical information
- DMX512
Index - protocol, connectors, using, safety and circuits
- DMX-512
Technical Resources - several very useful application notes which
cover a lot of the basics of balanced serial communications as used in
DMX-512 system
- DMX
Instrument Channel Allocations - Moving lights, some scrollers, and
other 'intelligent effects' utilise more than one DMX channel to control
their attributes.
- Doug Fleenor Design Newsletters -
contains useful DMX-512 tips
- ftp.armory.com
DMX-512 hardware directory - DMX-512 technical documents and example
circuits
- Going to Ground
- information on general instrumentation cables, EMI, EMC, interferences,
shielding, balanced line, grounding, includes case study on Lighting &
Stage Control
- Interpretation of the DMX
specification
- http://www.esta.org/tsp/DMXoverCat5.htm
- In response to a perceived industry requirement for lower cost DMX512
cable installations, the DMX-over- Category 5 Cable Task Group was formed
by ESTA's Control Protocols Working Group (CPWG) at the January 1998 TSP
meetings. The goal of this testing was to establish whether Category 5
cable, or "generic premises cable" as it has become known, could be used
as a low cost substitute in permanently wired DMX512 installations. Data
obtained from test sessions confirms that, in most respects, UTP and STP
Category 5 cable can be expected to perform at least as well as EIA-485
rated data cable for DMX512 applications.
- The
Anatomy of DMX512
- Why Terminate ? -
Incorrect or missing termination is probably the single most common reason
for faulty DMX512 systems, also available at http://business.virgin.net/tom.baldwin/dmx-why_terminate.html
DMX-512 circuits
Information on DMX-512 products
DC voltage control is very much used in simple light effects and small
light dimmer systems. It is a very simple and easy to understand system which
can be troubleshooted with just a multimeter. The most commonly used DC based
light controlling interfaces are 0-10V control for light dimmers and 1-10V
control used to control dimmable electronic fluorescent lamp ballasts.
This type of multicore analogue systems were prevalent before digital DMX
control became more popular in large systems. In multicore analogue system the
console was physically connected on a channel by channel basis to the dimmers.
Most modern light controlling desks emit 0 - +10V, on their analogue lines.
Strand, who pioneered desks with semiconductors, decided on their 0 - -10V
control back in the days of p-n-p germanium transistors, when this was
natural. Being stubborn, they stayed with this protocol long after it was out
of date.
Typical multichannel light controlling system which uses 0-10V DC
controlling uses thick multicore cables containing a core for each channel, as
well as power supplies and ground leads.
Many DC controlled light control systems (not all) can be connected in
parallel in highest takes precedence (HTP) mannet. This referes to the way in
which a channel is controlled. When a channel is controlled by two or more
sources (for example, if two submasters on a lighting desk contain the same
channel) the highest value is used. HTP channels are normally used for
controlling intensity.
Ethernet is the most commonly used standard computer communications
protocol used in local area networks. Moving lights, modern dimmers and
lighting control desks all contain computers, so it coming to wide use for
lighting control as well. Ethernet is capable of controlling massive numbers
of lights, but at the moment Ethernet light controlling suffers from slightly
lower reliability and less standardization than traditional DMX-512 interface.
Ethernet using twisted pair wiring is coming to the lighting industry
contrlling, but the manufacturers have not yet have agred on a common Ethernet
protocol. Current Ethernet standards define the pyical network and addressing,
but there are no standard for the format and content of the packets to be used
for lighting equipment controlling. Nowadays there are some implementations of
Ethernet based light controlling but those are proprietary solutions which are
not compatible with each other. Some implementions run on Ethernet level and
need their own Ethernet segments, while some other rely on using TCP/IP
protocol running on top of the Ethernet. Generally speaking Ethernet cabling
is cheaper than currently used cablign systems and it can replace many
different control cabling, so in not-too-distant future Ethernet an take an
important role in theatrical and lighting control technology.
ACN (or the ANSI BSR E1.17 standard) is the next generation control
protocol which is under development by ESTA (Entertainment Services and
Technology Association). It will operate using Ethernet and is intended partly
to address the limitations of DMX512. This standard is under development at
the moment.
- DMX512 Takes A
Backseat As Major Companies Embrace Ethernet - DMX512 has been
remarkably successful in its wide acceptance, but the basic scheme of DMX512
is not up to the task of carrying the quantity and variety of data that
needs to move in a modern large intelligent lighting system
- ESTA's
Advanced Control Network (ACN) Protocol Suite - The Advanced Control
Network (ACN) is intended to provide the next generation standard for the
distribution of data in lighting control networks. Ideally, ACN will unify
lighting control networking, allowing a single network to carry many
different kinds of lighting-related data and to connect equipment from
different manufacturers. ACN is not limited to lighting. It is expected that
support for audio control and stage automation will also be incorporated.
ACN will operate using Ethernet and is intended partly to address the
limitations of DMX512.
- Networking
With Ethernet - lighting industry is looking at Ethernet
X-10
X-10 is a powerline carrier protocol that allows compatible devices
throughout the home to communicate with each other via the existing 110V
wiring in the house. Using X-10 it is possible to control lights and
virtually any other electrical device from anywhere in the house with no
additional wiring.
DALI
DALI (Digital Addressable Lighting Interface) is a new industry standard
to lighting control systems. DALI is supported by the main lamp and ballast
manufacturers in Europe (Helvar, Osram Philips, and Tridonic). DALI is a
dedicated communication interface for the control of lighting systems at
local room level. It has been developed specifically for optimum lighting
control, both in Local Room Control applications and when interfacing with
Building Management Systems. The DALI protocol is exclusively designed for
lighting and aims at filling the gap between the standard 1-10 V analog
control interface and the more complex universal bus systems, which are too
advanced for many applications. DALI interface is suitable for mid-size
rooms and stand-alone systems.
DALI system is the combination of ballast switching and dimming via the
control wire with ballast addressing. The key feature of DALI is individual
ballast addressability, which enables up to 64 different luminaires on the
same control circuit to be switched and controlled independently. The
luminaires on a single circuit can be combined in up to 16 freely definable
groups, in which individual light can be assigned to one or more groups.
Programmablity allows installations to be reconfigured without the need for
costly wiring changes.
Wiring using DALI is very simple: all the luminaires in a room are simply
connected to the nearest unswitched power supply, as well as to a single
control cable from a lighting controller. DALI is the de facto industry
standard for the control of lighting systems. The system concept and
communication protocol are now accepted as a draft IEC document with
preparations for the definitive IEC standard at an advanced stage.
- 220 Volts
Flashing Lamps - Especially designed for Christmas tree lamps to replace
old thermally-activated switches
- 230V AC light
flasher - flashes one light bulb at adjustable speed, in pdf format,
text in Finnish
- Aircraft
Light Flasher Extends Bulb Life - unusual dual-lamp flasher eliminates
high-inrush currents by using one bulb's heated filament to limit the
starting current for the other bulb
- Power
Flasher - 220V AC light will flash at around 1Hz with a 100W bulb at a
duty cycle of 50%
- Solid-state
flasher has short-circuit protection - switches an inductive or
resistive grounded load using a bootstrapped n-channel power MOSFET and
features short-circuit, reverse-polarity, and transient-input-voltage-spike
protection, operates from 18 to 30V DC, and the circuit can handle as much
as approximately 10A with proper heat sinking of the FET
- The simplest
blinker - very simple circuit which flashes a neon glow lamp from mains
voltage
- Zero
Crossing AC Switch Oscillator - The circuit shown will switch on and off
a resistive or inductive 220 VAC load up to 800VA with the possibility to
adjust both the on and off period
Light organs
Light organs were very popular disco light effects in the
'70's and '80's. They make lights to flash to the music: one lights when there
is lots of bass and other when there is lots of high frequencies etc. The
light organ has also been known to be called with name "color organ" because
it is generally used to control different color light bulbs.
Syncing lights to music beat
Other sound to light circuits
- Disco
VU effect - light a big sound level meter, uses a LM3914 bargraph
display driver, together with an automatic level control, 10 channels, 250W
per channel, uses control at zero-crossing
Light sequencer circuits are used to implement simple light charing effects
and also more complicated sequential light effects.
- 10 stage
light sequencer - flashes 10 low voltage bulbs, operatesat 10-25V
voltage, in pdf format, text in Finnish
- 12
Stage Neon Sequencer (NE-2 / NE-51) - uses small power 70V neon bulbs
- Christmas
Lights Flasher - originally published in ETI, December 1994
- Dynamic Lights -
christmast light sequencer circuit based on PIC 12C508 microcontroller, can
5 channels and loads up to 1000W at 220V voltage
- Flashing
Neons (NE-2 / NE-51) - one, two or three neon indicator bulbs can be
made to flash in sequence
- Interesting
Sequential Neon Flasher
- LX-800 LIGHTING
SYSTEM - inexpensive 8 channel lighting controller for small theatre
groups or musicians, includer dimming and sequencer, sound to light,
designed for 240VAC 50Hz supply, fed domestically from 3-pin 16A sockets
- Simple
10 Stage Control Box - simple 10 channel light sequencer circuit with
relay output, can be easily adapted for any number of bulbs from 1 to 10,
instructions for those adaptations included
- Special
Effects From A "Six-Pack" - Four channel Sequencer to Analog Dimemrs and
idea how to couple relay to the circuit
- Tehojono
- circuit sequences 10 DC lamps using 10A fets, text in Finnish, pdf file
- Trafic
Light Controller - controls on 3 LED traffic light sequence
- Traffic Light
Control Circuit (74145) - This page features a very basic traffic light
circuit that is built around the TTL family 74145 - 1 of 10 Decoder. The
circuit is designed to drive light emitting diodes that are connected in a
common anode arrangement.
- Chaser Controller -
8 channel christmas light controller which can be used with WinAmp
visualization plugin from PC, each channel can be either turned on or off
depending on the beat of the music
- Christmas light chaser
controller - 8 channel christmas light controller based on PIC 16F84 and
connected to PC serial port, controlled with Winamp plugin
- DiscoLitez - software and hardware
for controlling disco lights from your PC
- K Light Controller
Project - multichannel light dimmer system controlld by Linux computer,
progressing project pages
- Light Computer's World -
describes a project which uses Vellman
kits K8000, K8003 and K2634 to make a PC
controlled light system which can control 16 small 100W spots and 8 PAR64
500W spots, text written in French but you can use automatic
translation to English
- MIDI
controlled switches - can drive up to 128 individual relais, solenoids,
motors, etc. with a MIDI note-on and note-off messages
- Multimedia
Electronic Crib - microcontroller based light controller which generates
sequence of day-night with light fading, optional serial control interface,
based on 87C51
- Parallel Port Central -
information on using PC parallel port for I/O and Windows drivers for that,
useful for your own circuit interfacing
- Parallel Port PC Relay Board
with 8 Relays - 8 relays each capable of switching 12VDC/10A or
240VAC/5A, each relay has an LED to indicate when it is operated, kit from
Amazon Electronics, download
software for Windows 3.1 and DOS
- PC based
lighting control - short pointer to each of the available commercial PC
based lighting console systems
- PC
Parallel Port Relay Board
- PC
Serial Port Receiver - designed to control a 32 channel Christmas light
show from the PC serial port
- Planet Christmas -
information on large computerized homebuilt Christmas light system
- Semiconductor Relay
Circuit - and how to drive them from PC parallel port
- Serial Isolated I/O
Module - 8-Relay Module (mains rated - to 250VAC), kit K108 from kitsrus.com
- Simple
circuit and program to show how to use PC parallel port output
capabilities - includes instructions how to connect a relay to PC
parallel port
- Switched
Relay Board for 5/10A Relay - switches on the relay when input voltage
reaches 2.5V, suitable for interfacing to PC parallel port, kit from Amazon Electronics
- Velleman
Universal Relay Card with 16 Relays - This page has information on
Vellan kit which take computer input and controls up to 16 relays. This page
has full kit documentation including the circuit diagram.
Light level controlled switches
Audio controller switches
IR remote controlled switches
Radio controlled switches
- Ensemble domestique HF 4
voies - 4 channel radio remote controller which controls 4 relays, text
in French, try automatic
transtation to English
- Four-way
remote control uses series transmission - four channel remote controller
system which uses 433 MHz band
- R/C
Switch - This circuit is a so-called "Radio Controlled Electronic
Switch". It can be used to switch on/off anything electrical, whatever it
is. Here are a couple of examples: navigation lights, landing gear, sound
systems, glowplug driver, bomb release, parachute, search lights, gyros, and
so on. This circuits connects to a RC car controller servo output.
Other remote controlling
- Short
dc power-line pulses afford remote control - If you face the challenge
of adding a second, independently controlled light source to an existing
ceiling lamp controlled by a wall switch, you may find that stringing a
second power line is impossible. This design uses remotely controlled
control circuit located at the lamps' site.
Load sensing switches
- Load Sensing
Automatic Switch - apply power to the entire audio system by turning on
one item, simple circuit
- Mains
Power Switcher - allows you to turn all the equipment on or off, by
operating the switch on just one item, unit works by sensing if current is
being drawn from the master socket, if so it powers up the other (slave)
sockets
Other circuits
- Alternating
ON-OFF Control
- Capacitive
Sensor - Special design for shop-windows animation, the visitor can
activate the relay placing his hand on the window outside and the sensor is
inside window
- Cellular Phone
Helper - activates a variety of devices when your cellular phone is in
use, pdf file
- Courtesy
Lamp - 15 seconds delayed switch-off for 220V AC lamp, a good idea for
bedroom lamps
- Electronic
touch switch - This touch switch is a so-called hum-induced type, the
advantage of this type is that you need only a single contact.
- Multiple
remote points control on/off switch
- Semiconductor
relay circuits - basic switching elements for various controlling
applications
- Smart
Phone light - The circuit shown here is used to switch on a lamp when
the telephone rings, if the ambient light is insufficient.
- Soft
ON/OFF switch - Modern electronic equipment incorporate
"push-to-on-push-to-off" switches that do not make the clicking noise as
with old equipment. An example of this is the power button on a ATX computer
cabinet. Here is a circuit that does the same. It can be used to turn on/off
any electronic/electrical equipment that operates on any range of voltages.
- Stop/start
circuit using a relay and pushbutton switches - for use when you want to
manually restart a device after a power failure
- Switch
debouncer isolates input and output
- Switching
Circuits - collection of switching circuits for temperature, light level
and button controlled switching
- Temperature
Monitor - a heat activated sensor
- Three Way
Touch Lamp - A three-way switch to control a lamp (off-dim-bright, etc.)
uses an NE555 timer to generate a one-second pulse, triggered by ambient ac
fields that are picked up by the human body. Read also the circuit
descriotion.
- Touch
Switch - electronic device that enables us to control a circuit by
simply touching a sensor
- Zero
Crossing AC Switch Oscillator - This circuit will switch on and off a
resistive or inductive load up to 800VA with the possibility to adjust both
the on and off period. Switching takes place during the zero crossing of the
sine wave. The on period is adjustable between 0.3 to 4sec while the off
period is adjustable between 0.2 and 10sec.
A stroboscope is a special kind of light that flashes in a very regular way.
Each flash of the strobe light is the result of an electrical discharge (sort of
like a spark) traveling through the special gas contained in the strobe "flash
bulb". The electrical current flowing through the gas causes it to emit light.
The same principle is used in electronic camera flash units, with difference
that they normally only flash once and the flash energy is is quite large (makes
very bright flash). Usually the discharge happens very quickly, lasting only a
tiny fraction of a second.
WARNING: Strobes can be DANGEROUS and can induce epileptic fits. Use
sparingly and with caution.
Documents and resource pages
- An Examination
Of The Flash Circuitry In A Disposable Camera
- Design
Considerations for Triggering of Flashlamps
- Don's Xenon Flash
Page - lots of notes, schematics and ideas
- Electronic
Flash Fundamentals
- Flashlamps
for pulsed lasers and flashlamp power supplies - introduction to the
basic mechanical, optical, and electrical operation and concepts of
flashlamps
- General Xenon Flash and
Strobe Design Guidelines
- Linear
Flashlamp Technical Brief
- Notes
on Electronic Flash Units and Strobe Lights - Flash and Strobe FAQ, very
good information source, includes many schematics
- Notes on the
Troubleshooting and Repair of Electronic Flash Units and Strobe Lights
- Notes on
high power stobe lights - how to avoid potential dangers
- Strobe Lights
and Design Guidelines, Useful Circuits, and Schematics - Flash and
Strobe FAQ, very good information source, includes many schematics
- Strobe Lights
and Design Guidelines, Useful Circuits, and Schematics
- Using Fluorescent Ballasts
to Power Xenon Strobes - a fluorescent light ballast can be a convenient
way to obtain high voltage with some current limiting
- What
is a stroboscope?
- Xenon Strobe and Flash
Safety Hints
Strobo circuits
- 12V
stroboscope circuit
- 230 Vac
strobo - A stroboscope circuit that operates at 230V AC. The flash rate
os around 0.3 Hz and the flash power is aeound 8 joules. This project
included PCB plans. The text of this project is in Finnish.
- Adjustable
Strobe Light - 120V mains power source, up to 20 Hz flash rate
- Disco
style Strobe Light - low power, works on 110VAC
- Hacking the Kodak Max
Single Use Flash Camera into a Self-Repeating Strobe
- Line
powered xenon flash transmitter - line powered xenon flash circuit
drives a small camera type flash tube, up to 20 Hz flash rate, uses external
flash trigger signal for controlling, operates on 120V AC
- Mini
pocket stroboscope circuit - works from two 1.5V AA batteries, based on
modified camera flash unit
- Mini
Stroboscope - low power stroboscope that operates from 220V AC
- Odd application
of neon glow lamps: The stroboscope - neon glow lamps can also be used
only for their U/I characteristic and not for producing light, here for
controlling the triggering the xenon tube
- Strobe Light
- simple 120 VAC powered circuit
- Strobe
Light - works from 115V AC line
- Strobo
system - Externally triggerable strobo system powered from 12V DC. This
ZIP file includes full Protel 99SE design file and PDF versions of all
required information (including schematics and PCB design) to build strobo
by yourself.
- Strobovalo -
stroboscope circuit which operates at 9-12V power, text in Finnish
- Variable
intensity variable frequency stroboscope
- Welch
Scientific Model 2153C Stroboscope - a schematic for a typical line
operated variable rate stroboscope used for the visualization of moving
parts as well as rotation speed or frequency determination of rotating or
vibrating machinery
- Xenon Strobe Light -
designed as a companion to the LX-800 lighting controller,
but can also be used by itself (or with any other lighting controller),
includes plan internal isolated and external flash rate controller, designed
to operate from 120V or 240V mains voltages (cirucit adaptable for both
voltages)
- Xenon Flash
Indicator (XFI) - This project is about Xenon flash indicator. The unit
consist of a high powers unit and some triggging electronic and a
flash-tube. When the flash unit get a trigger signal it will light upp very
strong, just in the same way as a camera flash.
Strobo trigger and control circuits
Power supplies for stroboscopes
Information on camera flash units
A typical camera flash tube will usually produces a flash which lasts about
one millisecond. The energy used to produce the short flash comes from
discharging a special capacitor, charged to several hundred volts.
Camera flash circuits
Most of the LED flasher circutis can be used as general purpose light
controlling circuits if the LEDs are replaced with an optocoupler which is
connected to the power controlling electronics (like transistor, relay or
triac).
Simple blinkers
Sequencer and chaser circuits
Multicolor LED controlling
Misc circuits
- 28
LED Clock Timer - programmable clock timer circuit that uses individual
LEDs to indicate hours and minutes
- 8x8
LEDmatriisi - LED matrix circuit board
- A
linear Constant Current LED Lamp Dimmer - This simple Linear circuit
provides continuously variable regulated current (~25-400mA) from a 4-6 Volt
source.
- Circuit
controls intensity of reflex optical sights - A popular category of
aiming/pointing aids is the reflex, or "red-dot," sight. This system finds
use in such diverse applications as astronomy, archery, and shooting. In the
reflex sight, light from an internal source—typically a high-intensity red
LED—reflects from a curved, transparent optical (reflex) element through
which you view the target. The result of this geometry is that the image of
the LED (the red dot) appears superimposed on the target image, thus
indicating the point of aim. When you correctly adjust the aiming point of
the telescope, bow, or gun, the target and LED images coincide. For best
sight performance, the intensity of the red-dot light source must at least
roughly match the illumination level of the target. This circuit adjust the
LED intensity based on the target.
- Fading
Red Eyes - can be used to slowly illuminate and fade a pair of red LEDs
- Fantastic Atom
Expander - "exploding atom" effect using 98 LEDs
- LED
dimmer uses only two lines - This circuit provides 32 steps of
brightness control (from 0 to 100%) for a backlight or instrument panel,
using just two general-purpose-microprocessor signals. Although the circuit
shows the circuit driving white LEDs, the load could also be a dc motor or
an incandescent lamp. The basis of the circuit is a modified Schmitt-trigger
relaxation oscillator controlled by MAX5160 digital potentiometer.
- LED Lamp
Dimmer - This circuit provides 32 steps of brightness control from 0 to
100% for a backlight or instrument panel using just two general purpose
microprocessor signals. In addition, very little board space is required
since only three SOT23's and a uMax package are used. Although the example
circuit is driving white LED's, the load could also be a DC motor or an
incandescent lamp.
- LED Mood
Light - this LED circuit makes a nice lamp that is low power, runs cool,
and has a long lifetime, operates from 12V, puts out a warm yellow shade of
light, the color may be adjusted by changing the number of red or green LED
strings
- Led Pilot
Light - LED current is constant between 6 and 8 mA at 5 to 30Vdc
- Light Pollution
Meter - LED brightness control circuit and a multimeter to compare light
levels to LED level.
- McMurtrie's self
powered flashing LED - circuit which uses a LED as solar panel to charge
a capacitor which flashes a LED, the LED will blink when the circuit is
placed in bright light
- Resources
for Bike Light Builders
- Single
FET controls LED array - White-LED backlights are gaining acceptance
because they offer higher reliability and simpler drive circuitry than
backlights based on CCFL (cold-cathode-fluorescent-lamp) and EL
(electroluminescent) technology. This circuit shows a switch-mode boost
design that regulates current instead of voltage and switching off
individual LEDs or groups of LEDs is not a problem.
- Stroboscopic
Tachometer using LED - use a LED, resistor and function generator to
make a very small stroboscope
- Velleman MK103
Sound-to-Light Unit - This kit is a device that transforms sound into
light.Sensitivity is adjustable, and when set at it’s maximum it is really
very very sensitive, even the smallest whisper will make the four
high-intensity LEDs glow bright red. This page has some theory of the kit
operation.
Building lamps out of LEDs
LED bulbs are emerging as the hottest and newest light sources. The small
size of LEDs allows designers to develop creative and compact styles. The
average service life of LED bulbs is about 100,000 hours. When encapsulated
and integrated with electronic boards, the bulbs can last for about 50,000
hours.
The downside with LEDs, though, is the initial cost. These bulbs are said
to be five to 10 times more expensive than halogen bulbs. However, if their
long service life, high energy efficiency, and low maintenance costs are
factored in, LEDs will still come out more cost-efficient.
- Economical
circuit drives white LEDs - this circuit provides a means of efficiently
controlling LED current in a series-connected string
- LED
Headlamps - This article includes circuits of DC-DC LED drivers (click
pics for bigger ones) step downs to run LEDs on less than Battery Volts,
Boost for above.
- Ledilamppu -
lamp built using LEDs, uses 4-8V DC, text in Finnish
- LED Mood
Light - This circuit makes a nice lamp that is low power, runs cool, and
has a long lifetime, based on LEDs and runs from 12V DC
- LED
Torch - A white LED torch that consumes just 24 mW
- Single
cell lights any LED - This circuit allows you to light any type of LED
from a single cell whose voltage ranges from 1 to 1.5V. This range
accommodates alkaline, carbon-zinc, NiCd, or NiMH single cells. The
circuit's principal application is in LED-based flashlights, such as a red
LED in an astronomer's flashlight, which doesn't interfere with night
vision. White LEDs make handy general-purpose flashlights. You can use the
circuit in Figure 1 with LEDs ranging from infrared (1.2V) to blue or white
(3.5V).
- Special Lighting
- experiments with white LEDs
- White
LED Flashlight
Other light projects
Here is a small list to pages which contain information on ready made
electronics kits which might be usable for experimenters who want to build light
controlling electronics themselves. Sometimes it is a good idea to use ready
made design for the parts which are directly connected to mains voltage. If you
would rather build ready made light controlling electronics then it is best to
check lighting
companies link page and laser links page.
Related pages
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